Teal was chosen for the logo color, inspired by the water in the Caribbean. A custom monoline script was created to reinforce authenticity and craftsmanship. Custom buttons with the B letterform were made to be used on the clothing line.
Showing posts with label riggs partners. Show all posts
Showing posts with label riggs partners. Show all posts
Thursday, January 9, 2020
Bequia Threadworks Brand Identity Design
Bequia Threadworks is a nonprofit sewing enterprise that empowers and trains the women of Bequia as artisan seamstresses. Working to spark economic transformation for Bequian families, the
clothing line and identity are affirmation of the island’s craftsman
history.
Teal was chosen for the logo color, inspired by the water in the Caribbean. A custom monoline script was created to reinforce authenticity and craftsmanship. Custom buttons with the B letterform were made to be used on the clothing line.
Teal was chosen for the logo color, inspired by the water in the Caribbean. A custom monoline script was created to reinforce authenticity and craftsmanship. Custom buttons with the B letterform were made to be used on the clothing line.
Labels: illustration
Bequia Threadworks,
Brand Identity,
graphic design,
riggs partners,
ryon edwards
Thursday, August 7, 2014
Rough sketch — studio at work
Labels: illustration
"ryon edwards",
artwork,
busy morning,
drawing,
loose style,
prismacolor,
quick sketch,
riggs partners,
ryon edwards,
Sharpie,
sketch,
Weco
Wednesday, January 30, 2013
Doodle: 1.30.13
Labels: illustration
bamboo,
doodle,
green,
grow,
hidden type,
illustration,
invasive,
riggs partners,
ryon edwards,
typography
Tuesday, July 17, 2012
New design for Goodwill Industries of Upstate/Midlands South Carolina
Labels: illustration
advertising,
cool,
design,
fan,
goodwill,
Goodwill Industries of Upstate/Midlands South Carolina,
illustration,
marketing,
original,
outdoor,
retro,
riggs partners,
ryon edwards,
thrift
Tuesday, April 10, 2012
The Golden Ratio: where design and mathematics coincide
The golden ratio (also known as the golden mean, golden section or divine proportion) is a height to width ratio that measures 0.618 and manifests itself in nature, art and architecture. The Parthenon in Greece incorporates the ratio, but it’s unknown whether or not the designers actually used the principle. The human form has this same basic geometric relationship — DaVinci studied this and created drawings that illustrated the proportion in his Vitruvian Man (below). Piet Mondrian used the golden ratio in much of his work in the 1920′s. Even Twitter uses the golden ratio principle for it’s screen design.
The Golden Ratio looks like this:
It's defined as the ratio between two segments such that the smaller (bc) segment is to the larger segment (ab) is to the sum of the two segments (ac), or bc/ab = ab/ac = 0.618.
And can be calculated like this (adding 1 to the ratio is phi, yielding the same basic geometric relationship):
More examples of the Golden Ratio:
Fascinating! Is it an inherent aesthetic preference or is it a design technique turned tradition? How do you explain the proportion found in nature? However you decide to answer those questions, it’s hard to argue that it has had an enormous impact on art and design over the years and continues to influence design today. Next time you see something that just “feels” right, or that you just can’t take your eyes off of, take a look at the proportions and remember – Ahh, it must be the 0.618!
- Ryon
Labels: illustration
columbia,
design,
golden ratio,
graphic design,
riggs partners,
ryon edwards,
south carolina
Monday, January 16, 2012
Type Observed: Hobo
I see the typeface “Hobo” in a lot of different places — labels, signs, posters, logos – the list goes on. I once thought that this was one of the ugliest type designs out there, but I now realize that it’s not the design itself, or even the terrible name — it’s mostly because of how it’s used and misused. Of all the type crimes out there (thank you Ellen Lupton: http://www.thinkingwithtype.com/contents/extras/#Type_Crimes), you’ll often find Hobo as a nearby accomplice. And I’ve certainly made my jokes about this “awful” typeface over the years, but once I studied the origin and the history of this design, I’ve become much less critical.
Stylistically, Hobo looks like something crafted from 1970′s, but was actually designed in 1910 towards the end of the Art Noveau Movement. It was designed by Morris Fuller Benton, one of America’s most prolific typeface designers. After closer examination, the letters are actually well-proportioned (when typeset properly) — every part of each letter is curved, which gives it a decorative effect, but with a modern twist. It’s lowercase letters are unique — descenders that do not drop below the baseline. Yeah, it’s weird — but it’s designed to be a display type. Fairly progressive for 1910, considering that most typography from that period was very decorative and ornate.
So I’m no longer a Hobo-hater. I just hate seeing it being misused.
Note: If you’ve seen examples of Hobo type out there (good or bad), please send some pics my way – I’m starting a collection of images and would love to include yours! Thanks.
Stylistically, Hobo looks like something crafted from 1970′s, but was actually designed in 1910 towards the end of the Art Noveau Movement. It was designed by Morris Fuller Benton, one of America’s most prolific typeface designers. After closer examination, the letters are actually well-proportioned (when typeset properly) — every part of each letter is curved, which gives it a decorative effect, but with a modern twist. It’s lowercase letters are unique — descenders that do not drop below the baseline. Yeah, it’s weird — but it’s designed to be a display type. Fairly progressive for 1910, considering that most typography from that period was very decorative and ornate.
So I’m no longer a Hobo-hater. I just hate seeing it being misused.
Note: If you’ve seen examples of Hobo type out there (good or bad), please send some pics my way – I’m starting a collection of images and would love to include yours! Thanks.
Labels: illustration
graphic design,
hobo,
morris fuller benton,
riggs partners,
ryon,
ryon edwards,
type,
typography
Thursday, September 15, 2011
CreateAthon begins!
CreateAthon www.riggs-createathon.com/ is our once a year, 24-hour, work-around-the-clock creative marathon during which we provide nonprofit marketing and design services on a pro bono basis. Let the work begin! Check out the video that Emulsion Arts (Charlotte, NC) made for the event. http://www.youtube.com/watch?v=UBuhuaf4d1s
Thursday, July 28, 2011
Protect Antarctica Poster
Poster I designed to support scientific research and preservation of Antarctica and its habitat. Specifically for Dean Schuster of www.truematter.com, who is running a marathon in Antarctica for the cause: Check it out at http://runningwithpenguins.com/
Labels: illustration
antarctica,
dean schuster,
riggs partners,
running with penguins,
ryon edwards,
south carolina,
truematter
Friday, July 23, 2010
"Double"

A little illustration I did for Illustration Friday (a weekly illustration challenge), based on the single word "double". This double used to be a triple. Be happy with a double. Don't be greedy.
Labels: illustration
double,
greedy,
hot,
ice cream,
illustration,
illustration friday,
melt,
pink,
RIGGS,
riggs partners,
ryon edwards
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